包河公园英文导游词 篇1
Hatosy park, located in the south ring road of hefei an old outsourcing riverfront wuhu road, on the outside of city southeast of the old walls, due to the northern song dynasty official named bao and its descendants the land of the living. Was built in the scenic bao temple and packet cemetery, makes this a fair death honors the whole life of places of historic interests and respect all the people.
Bao Ming jiajing period, in reading the channel mouth piers built on bao temple, main hall sits eight feet tall statue of baogong involved, dynasty, mahan, get, yan-fang stand on both sides, and there are three Zha bibcock, tiger, dog; Both sides wing cemetery unearthed cultural relics on display package, including the family precepts and exhibits such as pao family tree. Temple east hexagonal pavilion has a well, legend corrupt officials drank Wells have a headache, so the name "CV 23". Hatosy southeast covers an area of 3 hectares of conifers, is the cemetery bao and his wife and children. To commemorate the one thousand anniversary of baogong involved in hatosy park to planning and construction on the basis of the original culture of baogong involved, hereinafter referred to as "package" park. Hatosy park in addition to the bao temple, cemetery, also a new sky court, bao memorial, benediction, such as square, the water fountain.
Reorganize built bao park, bao temple, bao cemetery, cool breeze pavilion three as the main scenic spot building, another footprint associated with bao tong, floating zhuang two open spots.
The footprints pond:
Originally hatosy a pond on a small island, it and jump to the hatosy, middle lies in hatosy. Footprints pond nearly 20 meters long, about 8 meters wide, as the giant left a deep footprint.
In the legend, bao zheng youth pier reading, often to visit here. Then north island did not "jade belt bridge", one day, zheng have a good time here think of to see the other side, the surface is not wide, but without a bridge without a boat, so had to suddenly jump forward. Because legend bao originally wanted heaven descent in the foetus, so that a single island left a deep and big footprints, over time to form a small pond, so people call it "footprints pond". This may be a myth legend, colour, for hefei citizens to bao's admiration.
Floating zhuang:
Former academy of baogong involved, reconstruction in 1983, in August 20xx, and to build, covers an area of 20 mu. Its south and neighbouring packet cemetery, the wind pavilion, west and bao temple from afar is a set of the teahouse, the lotus pond, TingXie, winding scene of classical gardens built in accordance with the water, with jiangnan gardens and artistic architectural characteristics.
Floating around the green water swirl zhuang, like floating on the surface of the ancient village, so the former defense secretary general zhang aiping named "floating" zhuang for it.
Bao temple
Bao temple is located in hefei hatosy lake, south of the town, there is a long and narrow island, the island green trees, colorful flowers like scene, with a white wall park of ancient buildings is the temple of baogong involved, bao temple is the official representative figure in the history of Chinese bao's ancestral temple. Hefei now bao temple has become a beautiful scenery. The four seasons here visitors constantly, as anyone who to hefei to honor the official history.
Hatosy lotus root
Hatosy lotus root is a big attraction, the lotus root silk, also symbolizes the bao zheng impartially. Lead all the nations.
包河公园英文导游词 篇2
I walk in the road, the following hatosy park will take in everything in a glance. Clear hatosy seems endless, little small boats gliding slowly moving on the surface of the lake, like only cute little ducks play in the water. My temper is very urgent, generally to hatosy. Can see hatosy water green, LanYingYing, pieces of the leaves fall in the river, dressed beautiful hatosy already more appealing. The only fish in the water happily, watching it all, seem to see the ancient official - bao zheng. Bao handle affairs justice, integrity, remain uncorrupted, never accept a little wealth.
We move on. I walked, while watching the river. In the backdrop of the sun, hatosy like put on a studded gold piece silver piece of coat, still shining! On one side of the weeping willows the river as a mirror, carefully washed with jade hand wash and dress her long hair, the whole hatosy look more beautiful in the park.
Of course, to hatosy park, rowing is indispensable. It's not my uncle had just paid the deposit, I can't wait to climb on the ship. I'm sitting in the driver's position, a hand wheel, one hand on the door, blowing straight cool wind, simply means defect! "Click" sound, uncle, my hatosy and willow left aside.
This trip to hatosy park, let my life aftertaste!
包河公园英文导游词 篇3
Emperor Qin Shihuang’s Mausoleum and the Terra-cotta Warriors and Horses Museum
Emperor Qin Shihuang (259-210B.C.) had Ying as his surname and Zheng as his given name. He name to the throne of the Qin at age 13, and took the helm of the state at age of 22. By 221 B.C., he had annexed the six rival principalities of Qi, Chu, Yan, Han, Zhao and Wei, and established the first feudal empire in China’s history.
In the year 221 B.C., when he unified the whole country, Ying Zheng styled himself emperor. He named himself Shihuang Di, the first emperor in the hope that his later generations be the second, the third even the one hundredth and thousandth emperors in proper order to carry on the hereditary system. Since then, the supreme feudal rulers of China’s dynasties had continued to call themselves Huang Di, the emperor.
After he had annexed the other six states, Emperor Qin Shihuang abolished the enfeoffment system and adopted the prefecture and county system. He standardized legal codes, written language, track, currencies, weights and measures. To protect against harassment by the Hun aristocrats. Emperor Qin Shihuang ordered the Great Wall be built. All these measures played an active role in eliminating the cause of the state of separation and division and strengthening the unification of the whole country as well as promotion the development of economy and culture. They had a great and deep influence upon China’s 2,000 year old feudal society.
Emperor Qin Shihuang ordered the books of various schools burned except those of the Qin dynasty’s history and culture, divination and medicines in an attempt to push his feudal autocracy in the ideological field. As a result, China’s ancient classics had been devastated and destroy. Moreover, he once ordered 460 scholars be buried alive. Those events were later called in history“the burning of books and the burying of Confucian scholars.”
Emperor Qin Shihuang，for his own pleasure, conscribed several hundred thousand convicts and went in for large-scale construction and had over seven hundred palaces built in the Guanzhong Plain. These palaces stretched several hundred li and he sought pleasure from one palace to the other. Often nobody knew where he ranging treasures inside the tomb, were enclosed alive.
Emperor Qin Shihuang’s Mausoleum has not yet been excavated. What looks like inside could noly be known when it is opened. However, the three pits of the terra-cotta warriot excavated outside the east gate of the outer enclosure of the necropolis can make one imagine how magnificent and luxurious the structure of Emperor Qin Shihuang’s Mausoleum was.
No.1 Pit was stumbled upon in March 1974 when villagers of Xiyang Village of Yanzhai township, Lintong County, sank a well 1.5km east of the mausoleum. In 1976, No.2 and 3 Pits were found 20m north of No.1 Pit respectively after the drilling survey. The terra-cotta warriors and horses are arrayed according to the Qin dynasty battle formation, symbolizing the troops keeping vigil beside the mausoleum. This discovery aroused much interest both at home and abroad. In 1975, a museum, housing the site of No.1 and covering an area of 16,300 square meters was built with the permission of the State Council. The museum was formally opened to public on Oct.1, the National Day, 1979.
No.1 Pit is 230 meters long from east to west, 62m wide from north to south and 5m deep , covering a total area of 14,260 square meters. It is an earth-and-wood structure in the shape of a tunnel. There are five sloping entrances on the eastern and western sides of the pit respectively. The pit is divided into eleven corridors by ten earthen partition walls, and the floors are paved with bricks. Thick rafters were placed onto the walls (but now one can only see their remains), which were covered with mats and then fine soil and earth. The battle formation of the Qin dynasty, facing east. In the east end are arrayed three lines of terra-cotta warriors, 70 pieces in each, totaling 210 pieces. They are supposed to be the van of the formation. Immediately behind them are 38 columns of infantrymen alternating with war chariots in the corridors, each being 180m long. They are probably the main body of the formation. There is one line of warriors in the left, right and west ends respectively, facing outwards. They are probably the flanks and the rear. There are altogeth
er 27 trial trench, it is assumed that more than 6,000 clay warriors and horses could be unearthed from No.1 Pit.
No.2 Pit sis about half the size of No.1 Pit, covering about 6,000 square meters Trail diggings show this is a composite formation of infantry, cavalry and chariot soldiers, from which roughly over 1,000 clay warriors, and 500 chariots and saddled horses could be unearthed. The 2,000-year-old wooden chariots are already rotten. But their shafts, cross yokes, and wheels, etc. left clear impressions on the earth bed. The copper parts of the chariots still remain. Each chariot is pulled by four horses which are one and half meters high and two metres long. According to textual research, these clay horses were sculptures after the breed in the area of Hexi Corridor. The horses for the cavalrymen were already saddled, but with no stirups.
No.3 Pit covers an area of 520m2 with only four horses, one chariot and 68 warriors, supposed to be the command post of the battle formation. Now, No.2 and 3 Pits have been refilled, but visitors can see some clay figures and weapons displayed in the exhibition halls in the museum that had been unearthed from these two pits. The floors of both No.1 and 2 Pits were covered with a layer of silt of 15 to 20cm thick. In these pits, one can see traces of burnt beams everywhere, some relics which were mostly broken. Analysis shows that the pits were burned down by Xiang Yu, leader of a peasant army. All of the clay warriors in the three pits held real weapons in their hands and face east, showing Emperor Qin Shihuang’s strong determination of wiping out the six states and unifying the whole country.
The height of the terra-cotta warriors varies from 1.78m, the shortest, to 1.97m, the tallest. They look healthy and strong and have different facial expressions. Probably they were sculpted by craftsmen according to real soldiers of the Qin dynasy. They organically combined the skills of round engraving, bas-relief and linear engraving, and utilized the six traditional folk crafts of sculpturing, such as hand-moulding, sticking, cutting, painting and so on. The clay models were then put in kilns, baked and colour-painted. As the terra-cotta figures have beeb burnt and have gone through the natural process of decay, we can’t see their original gorgeous colours. However, most of the terra-cotta figures bear the trace of the original colours, and few of them are still as bright as new. They are found to be painted by mineral dyestuf
fs of vermilion, bright red, pink dark green, powder green, purple, blue, orange, black and white colours.
Thousands of real weapons were unearthed from these terra-cotta army pits, including broad knives, swords, spears, dagger-axes, halberds, bows, crossbows and arrowheads. These weapons were exquisitely made. Some of theme are still very sharp, analyses show that they are made of alloys of copper and tin, containing more than ten kinds of other metals. Since their surfaces were treated with chromium, they are as bright as new, though buried underground for more than 2,000 years. This indicates that Qin dynasty’s metallurgical technology and weapon-manufacturing technique already reached quite a high level.
In December 1980, two teams of large painted bronze chariots and horses were unearthed 20 metres west of the mound of Emperor Qin Shihuang’s Mausoleum. These single shaft four-horse chariots each comprises 3,462 spare parts, and has a body with two compartments, one behind the other, and an elliptical umbrella like canopy. The four horses harnessed to the chariot are 65-67 centimeters tall. The restored bronze chariots and horses are exact imitations of true chariot, horse and driver in half life-size.
The chariots and horses are decorated with coloured drawings against white background. They have been fitted with more than 1,500 piecese of gold and silvers and decorations, looking luxurious, splendid and graceful. Probably they were meant for the use of Emperor Qin Shihuang’s soul to go on inspection. The bronze chariots and horses were made by lost wax casting, which shows a high level of technology. For instance, the tortoise-shell-like canopy is about 4mm thick, and the window is only 1mm thick on which are many small holes for ventilation. According to a preliminary study, the technology of manufacturing the bronze chariots and horses has involved casting, welding, reveting, inlaying embedding and chiseling. The excavation of the bronze chariots and horses provides extremely valuable material and data for the textual research of the metallurgical technique, the mechanism of the chariot and technological modeling of the Qin dynasty.
No.2 bronze chariot and horses now on display were found broken into 1,555 pieces when excavated. After two-and-half years’ careful and painstaking restoration by a
rchaeologists and various specialists, they were formally exhibited in the museum on October 1, 1983. No.1 bronze chariot hand horses are on display from1988.