南昌滕王阁导游词（精选9篇）
南昌滕王阁导游词 篇1
“落霞与孤鹜齐飞，秋水共长天一色”， 这是我很早以前就会背诵的千古佳句，今年暑假，我回了一趟老家南昌，终于有机会登上了著名的滕王阁。
滕王阁始建于唐代，一千多年来屡毁屡建，至今已达二十八次之多，有“国运昌则楼运盛”之说。滕王阁的建筑特色与众不同，有着“飞阁流丹，下临无地”之气势，所以名扬四海、众所皆知，引得历代不少名士到这里来游览、吟诗作对。王勃一篇《滕王阁序》便冲破云霄、一鸣惊人，博得十几代人的青睐，被认为是难得一见的千古佳作。文学家韩愈撰文：“江南多临观之美，而滕王阁独为第一，有瑰丽绝特之称。”故其有“江西第一楼”之誉，因其高度和面积都胜于其它阁楼，所以被列为我国江南三大名楼之首。
现代的滕王阁连地下室一共分为九层，各层都有十几个檐角向上翘着，仿佛是展翅欲飞的孤鹜，举目仰望雄伟壮观。步入阁楼仿佛置身于一座以滕王阁为主题的艺术殿堂。第一层的正厅有一表现王勃创作《滕王阁序》的大型汉白玉浮雕《时来风送滕王阁》，巧妙地将滕王阁的动人传说与历史事实融为一体。第二层正厅是大型工笔重彩壁画《人杰图》，绘有自秦代至明代江西名人共80位。这与第四层表现江西山川精华的《地灵图》，堪称双壁，令人叹为观止。第五层是用笔墨展现滕王阁历史的最佳处，苏东坡手书王勃作的千古名篇《滕王阁序》就在其中。登上顶层，感觉到江水从楼底穿流而过，虽然没有看到“落霞与孤鹜齐飞，秋水共长天一色”的壮丽景色，但整个南昌市的一派大好风光却尽收眼底：笔直、雄壮的八一大桥，宽阔、秀美的秋水广场，还有高楼林立、充满现代气息的洪谷滩开发区……，这就是我那人杰地灵的故乡!
瑰伟绝特的滕王阁啊，在日新月异的今天，你将见证古城南昌的腾飞，我愿你永远美丽!
南昌滕王阁导游词 篇2
女士们，先生们，各位对江南三大名楼一定是耳熟能详，可能大家都记得：“落霞与孤鹜齐飞，秋水共长天一色一”;“晴川历历汉阳树，芳草萋萋鹦鹉洲”;“先天下之忧而忧，后天下之乐而乐”。这些分别是王勃的《滕王阁序》、崔颢的《黄鹤楼》，范仲淹的《岳阳楼记》中的名句，可谓是千古流传，脍炙人口人。今天我们就去游览江南三大名楼之首的南昌滕王阁。亲身体验一下王勃笔下的境界。
各位游客，我们现在来到的地方是南昌市的榕门路口。一度仿古式的大牌楼巍然屹立它东面的匾额上书“滕阁秋风”。为什么要在这里建一个牌楼?它对滕王阁景区有什么作用呢?
“滕阁秋风”牌楼是通向滕王阁景区的第一道门，也是景区中轴线上的第一道景观。它耸立在景区东面，是座高大的二柱、彩绘、仿宋式大牌楼，高12米、跨度15米，正中是青石贴金横匾二方，正面朝东“滕阁秋风”横匾为宋苏东坡墨迹，背面为文徽明手书的“胜友如云”。牌楼往西大约50米处是南北向展开的仿占街，牌楼的竖向构图与仿古街水平舒展的横向构图形成对比，同时又跟远处高耸入云的主阁遥相呼应。当我们步入景区，主阁的天际轮廓线映人眼帘，这时牌楼起到了很好的框景作用，再加上仿古街对游客观阁视线有屏蔽效果，避免了景区主要景观一览无余，营造出了一种“红杏出墙来”的意味。
各位请看，这就是景区的东门，它是一幢五间歇山顶的建筑，墨绿色琉璃瓦盖顶，当中一间是进入口，设内外两道门扇。外门正对东面大牌楼，门首正中悬挂“雄州雾列”匾额;内门面向园区，门首正中为“地接衡庐”横匾。园门是游客进入园区的主要人口。作为景区中轴线上的第二道门，它既起分隔景区内外空间的作用，又是内外空间的过渡区域。
请各位随我由此进入园区，大家是否有眼前突然一亮的感觉呢?我们终于看到了主阁的雄姿。阁前广场的设计也独具匠心，它的宽阔衬托出了主阁的高耸，上出重霄的气势得到充分展现。广场与主阁之间有一条南北贯通的干道，连接着南端的南门人口和北端的俯畅园。
滕王阁、黄鹤楼、岳阳楼并称为江南三大名楼，但唯独滕王阁称为“阁”，这是为什么呢?
在我国的传统建筑中，楼是重屋，即二层以上的房屋。阁是传统楼房的一种，原是架空的楼，由干栏建筑，即树干为栏的木阁楼，演变而来。其实楼与阁在建筑形制上难以明确区分。人们常将“楼阁”二字连用。一般阁都带有平座，四周设隔扇或栏杆回廊。恐怕最明显的区别是它们使用功能的不同，楼的用途是厂“泛的，而阁仅限用于游憩远眺、藏书、供佛等方面。如北京颐和园的佛香阁是佛阁，宁波的天一阁是藏书阁。滕王阁背城临江，雄踞高冈，建筑风格具有较明显的阁的特点。而且当初建造它，就是出于娱乐目的，为一歌舞场所，因此它的功能是游憩远眺，属阁的范畴，故称其为“阁”是名副其实的。黄鹤楼、岳阳楼都是出于军事的需要而建造的，所以它们都称为“楼”。
我们眼前这座阁是第29次重建的新阁。各位可能会同，滕王阁的重建次数居然有29次之多，这在建筑史上恐怕也不多见，这个问题又该如何理解呢?
滕王阁的扬名，的确与王勃的杰作《滕王阁序》大有关系，正所谓“文以阁名，阁以文传”。但一处景观之所以名垂千古，其原因绝不仅仅于此。全国与著名的诗歌和文章相联系的建筑还有很多，有的已杳无踪影，而滕王阁却屡毁屡建，前后达29次之多，仅清代顺治以后的1O代帝王就重建了13次，平均20多年就重建1次。之所以如此，其重要原因是继王勃之后，历代的宿儒学者、名工巨卿在滕王阁留下了丰富的文化遗产，使这座吴头楚尾的西江名楼成为江南的重要人文中心之一。历代名士在滕王阁留下了大量的诗文、绘画、书法、篆刻等艺术珍品，如韩愈、自居易、杜牧、欧阳修、王安石、苏轼、朱熹、文天祥、辛弃疾等，或以文章纪事，或以诗词抒怀，诗词佳篇卷帙浩繁，仅《四库全书》所收就达三部四十余卷;虽然五代水墨画家李升的《滕王阁宴会图》已湮没失传，但北宋郭忠恕的《王勃对客挥毫图》和明代唐寅的《落霞孤鹜图》已成为保留至今的稀世珍品。历代名家的诗词楹联、书画碑拓，经过一代代文人的收集整理出版，形成了瑰丽多姿的滕王阁文化体系。滕王阁还是历代歌舞戏剧的重要演出场所，建成后几乎所有的洪州都督、知府，每逢接官、送别、聚会、庆典，都要在此举行规模不等的歌舞音乐演出会。明代大戏剧家汤显祖也曾在这里组织演出其不朽作品《牡丹亭》，开了滕王阁上演大型剧目的先河。
滕王阁也不愧是华夏文化的一个缩影，它兼收并蓄，雅俗共赏，这样的景点在国人的心目中已深深扎根，所以它历千载沧桑，而盛誉不衰。
现在我们看到的新阁是1989年10月8日重阳节落成并对外开放的。它坐落在城区之西的沿江大道中段，叠山路口，赣江与抚河故道会合之处。唐代阁址就在其东面约100米的地方，清代阁址则位于其南端约300米处。高阁面城临江，西南水天相接处，南昌大桥依稀可见，西北与八一大桥遥遥相望，所以新阁的位置既与故地一脉相承，又考虑现代取景的需要，尽可能的体现了《滕王阁序》中的意境。
这是一座仿宋建筑，宋代建筑是对唐代建筑的继承和发展，时间相对较近，且宋代的楼阁建筑可称为古代建筑造型之最。宋大观二年(1108年)，滕王阁因年久失修而塌毁，侍郎范坦重建，比唐阁的规模更大，在主阁的南北面增建了“压江”、“挹翠”二亭，形成了以阁为主体的建筑群，形貌华丽，气势宏伟。1942年，古建筑大师梁思成先生偕同其弟子莫宗江根据“天籁阁”旧藏宋画绘制了八幅《重建滕王阁计划草图》，这就是第29次重建设计的主要依据。另外，还参照了宋代李诫的《营造法式》，此书相当于现在的建筑规范。
此阁主体建筑净高57.5米，建筑面积13000平方米。其下部为象征古城墙的二级台座，台座以上的主阁取“明三暗七”的形式，即从外面看是三层带回廊的建筑，而在内部计算共有七层，包括三个明层、三个暗层和顶部的设备层。如果加上二级台座，滕王阁整体共九层，寓意“九重天”。“明三暗七”是新阁结构的明显特点。
新阁的瓦件全部是碧色琉璃瓦，因唐宋多用此色。正脊鸱吻高达3.5米，为仿宋特制;勾头、滴水均为特制瓦当，勾头构成“滕阁秋风"四个篆字，而滴水形成“落霞”与“孤鹜”图案。
从南北石阶可登临一级高台，在此可见南北两翼的碧瓦长廊。长廊南北两端分别为四角重檐的压江亭和挹翠亭。从正面观看，南北两亭和主阁组成的建筑群，正形成“山”字;如从空中俯瞰，建筑群犹如一只平展两翅，意欲凌波西飞的巨型鲲鹏。这种立面和平面布局，是新建滕王阁的一大特色。
二级台座高为12米，共89级，寓意新阁于1989年落成。高台与须弥石座垫托的主阁浑然一体。台座之下，有南北相通的两个瓢形人工湖，北湖之上建有九曲风雨桥，楼阁云影，倒映水中，给人以无尽的遐思。
我们现在正位于园区内主阁东面的宽阔广场上。西面是花岗石铺成的临江广场;南面平缓的小山坡上遍植花卉树木，其中有一片四季常青的竹林和一个八月飘香的桂园;北面是占地面积6600平方米的俯畅园，“俯畅”出自《滕王阁序》中的“遥吟俯畅”句。整个景区体现了皇家园林与自然山水式园林相结合的特点。之所以说它是皇家园林，是因为历史上的滕王阁为登临抒怀之处，接诏拜官之所，属官建、官管、官用的歌舞宴集之地。
关于滕王阁的历史背景和总体情况就简单讲这些，下面请各位登石阶进阁内参观。抬头仰望，可见一层檐下的一块九龙匾，上书“瑰伟绝特”四字。这四个字出自唐代著名文学家韩愈的《新修滕王阁记》，他对滕王阁的赞美可谓到了极致。现在我们来到高阁的正门处，这部分建筑称为“抱厦”，亦称“龟头屋”，由两个歇山顶作“丁”字形相交的形式，其突出部分称为“抱厦”。抱厦原本不是门，但在中国古建筑当中，常会在抱厦处设入口，因此亦可作为一种门的形式，这个抱厦与进入主阁的大门融为一体。抱厦东端正中檐下横挂“瑰伟绝特”匾额，左右立柱上悬挂不锈钢巨联：“落霞与孤鹜齐飞，秋水共长天一色。”这是毛泽东1964年为儿媳邵华亲笔所书。在此，门连同主阁一起，成为了景区中轴线的端点、视线的落点、视觉的焦点，这道门是通往文化艺术殿堂的大门。
各位游客，这便是主阁一层的前厅，正面是一幅汉白玉浮雕《时来风送滕王阁》。这件作品是根据明代文学家冯梦龙所著《醒世恒言》中的《马当神风送滕王阁》的故事创作的。请看，画面描绘狂浪掀天，小船破浪向前的情景，年少桀骜的王勃昂首立于船头，他那自信、自负的神态跃然于浮雕之上。王勃。(650-676年)，字子安，绛州龙门(今山西稷山西南)人，是唐初著名诗人之一，与杨炯、卢照邻、骆宾王并称初唐四杰。自幼聪明过人，因恃才傲物，仕途不顺，且不幸的是英年早逝。
各位游客，接下来让我们依次参观二层、三层、四层、五层、六层。
二层，是一个暗层，采光和通风均靠人工解决。此层的陈设以“人杰”为主题。请看这正厅的墙壁上，有一幅大型丙烯壁画，称为《人杰图》，上面画出了自先秦至明末，江西各领风骚的名人，有的大家可能都颇为熟悉，如徐稚、王安石、汤显祖、朱耷等。这幅壁画的独特之处是，这些人物时代、地位、年龄、性格、服饰等都不一样，但却统一在同一画面之中，而且如此协调、生动，仿佛是群星大家族，给人以深刻的印象和很强的感染力。
三层，与一层类似，为一个明层，有圆廊四绕，可凭栏远眺。这一层着力表现了当年重阳盛会的场景，请看西大厅，称为“古宴厅”，西边梁枋上悬挂着“高朋满座”的金匾，东墙上有青铜浮雕《唐伎乐图》。让我们一起欣赏一下这幅乐图。画面主角是三位唐代舞伎，她们在表演《霓裳羽衣舞》。舞伎周围配有马术、摔跤、斗牛、横吹等民间游艺景象，上方有星象图，左右侧塑有操持各种乐器奏乐的艺人。画面古朴，体现了唐代盛世升平的景象。厅内还摆放着古雅的红木家具、春秋时期的青铜器复制品以及两根磨漆大花瓶。
请各位参观这一层的中厅，这里也有一幅大型丙烯壁画，名为“临川梦”。它取材于汤显祖《牡丹亭》中的故事。汤显祖在明万历二十六年(1598年)完成这个剧本的创作，然后他在滕王阁首次排演了这出戏，开创了滕王阁上演戏剧的先河。
四层，也是一个暗层，这里的主题是“地灵”。正厅的墙壁上是一幅大型壁画《地灵图》，与二层的《人杰图》相对应。请看，画中把江西名山大川的精华作了简练、形象的描绘，是一幅大好河山的壮美画卷。
五层，是全阁最高的一个明层。我们先参观大厅，然后再到回廊上远眺。这是中厅，请看正中屏壁上，镶嵌着《滕王阁序》碑，全文系苏东坡手写的小行书，通过复印放大，由工匠在黄铜板上精心镌刻而成。“豫章故郡，洪都新府。星分翼轸，地接衡庐……”阅读此文，我认为要消除两个误解，正确把握文章的主旨。一是那次滕王阁聚会虽在九月，却并非重阳，文中明育“十旬休假”,故当在九月十日、二十日、三十日旬休之日，且全文无一处涉及节事。二是这篇文章为“饯别序”，而非重阳“宴聚序”。现存王勃文集中的此篇题目是《秋日登洪府滕王阁饯别序》，这已非常清楚了。既然是饯别序，那么被饯者是谁呢?这在文中有迹可寻。宴会的主人当然是洪州都督阎公，陪客的是孟学士和王将军，一文一武;被饯别的是那位路经洪州，前往新州(今广东新兴)赴刺史任的宇文大人;从身份和文中描写来看，作者本人也可算作一位次要的客人。明确了这次宴会的主、客情况，特别是重视主要客人宇文新州的存在，才能对全文脉理和主旨有正确的理解。
“兴尽悲来，识盈虚之有数。”是全文意思转折的关节点，而两位被饯送者则是体现本篇主题的中心人物。作为饯别，文章不可避免地带着应酬色彩。首先是对主人阎公及其文武陪客盂学士、王将军等人，作者备致颂美仰望之忱。其次是对洪州地势和高阁景观以及胜饯的赞扬夸说，也是对主人的另一形式地势和高阁景观以及胜饯的赞扬夸说，也是对主人的另一形式的称颂。上述就是前半幅所写的“兴”。从“望长安日下”以下的后半幅，则主要写“失路之人”、“他乡之客”宇文新州和作者之“悲”。以“勃三尺微命”为转折，此前的悲和自勉兼指二人，且以宇文新州为主，文中有“老当益壮”、“桑榆非晚”之语，似更切合宇文新州，而下面才单指作者自身了。仕途多舛的共同遭遇，客中送客的特殊感受，使王勃在寄情抒怀时显得更为投入，尽情地发泄了怀才不遇的人生悲慨，表达了济世的渴望和志节自守的坚贞。失落、追求、怨恨、勉励，各种矛盾复杂的感情交织在一起，使这篇美妙的骈文超越了应景酬世的目的，而成为表现主体情性、寓意极深的文学作品。
下面我们再到这层的西厅看看。请看这幅《百蝶百花图》磨漆画，给人以富贵高雅、清新悦目之感。为什么在这里悬挂一幅蝶画呢?这其中含有纪念滕王阁首创人李元婴的意思。这位王爷颇具才华，他爱蝶，爱画蝶，而且自成一派，画界称其为“滕派碟画”。他的蝶画非常珍贵，有“滕王蛱蝶江都马，一纸千金不当价”的说法。这幅蝶画制作考究，工艺精湛。它以三合板为底，贴金箔为底色，用细铜丝勾勒蝴蝶的线条，将贝壳碾成粉末，敷成翅膀，花瓣儿用蛋壳拼成。
五层是在滕王阁上观赏南昌城全景的最佳楼层，现在我们就去到回廊。
各位感觉如何呢?在这里漫步，眺望四周，但见江水苍茫，西山叠翠，高楼如林，大桥如虹，公路如织，人车如流，自然的美和现代城市的繁荣景象交织在一起，与当年王勃的感受自然不可同日而语。如果要想找到“落霞与孤鹜齐飞，秋水共长天一色”的感觉，恐怕只能把思绪推向一千多年前。假如没有这么多高大建筑，假如这里基本上是蛮荒之地，只有这座高阁鹤立鸡群，假如……在这一系列的“假如”之后，各位的思想可能就会与那位才华横溢的年轻人产生共鸣。
六层，是处于重檐大屋顶间的暗层。这一层作为游览层，是最高的了，所以大厅题匾“九重天”。它的东面和西面的重檐之间，各悬一块“滕王阁”金匾，字是苏东坡手书，匾宽2米、长5米。虽是一个暗层，但中厅南北角重檐间不是墙体，面是做成花格窗，因而采光很好。这一层的西厅布置了一座小型戏台，为“仿古展演厅”;厅的南、北、东三面墙上，嵌有大型唐三彩壁画《大唐舞乐》;厅的中央有汉白玉围栏通井，下可俯视第五层，上方正对圆拱形藻井。此藻井在全国古建筑中不多见，其结构颇有一番讲究。它蕴涵天圆地方之意，24组斗拱由大到小，由下至上共12层，螺旋排列，取意1年12个月，24个节气。斗拱采用明、清民间木作处理手法，彩绘彩装，沥粉贴金，金碧辉煌。最顶端的彩绘参照了西安钟楼的彩绘式样。由于斗拱呈螺旋形盘绕而上，所以藻井给人以动感，凝神仰望，仿佛在不断旋转、不断变化，使人有种时空无限的感觉。
各位游客，滕王阁的文化积淀真是太深厚了，今天的参观和讲解，大家可能意犹未尽，希望有机会再为大家导游，对这座名楼作进一步的探讨和了解。
南昌滕王阁导游词 篇3
各位朋友：我们今天要参观的景点是与湖南的岳阳楼，湖北的黄鹤楼并称为江南三大名楼有西江第一楼之称的南昌滕王阁!现在我们大家跟随我进入到整个景区。现在正对我们的就是滕王阁了。它为仿宋建筑风格，采用明三暗七的建筑风格。始建于唐永徽四年，即公元653年!是唐王朝的开国皇帝—唐高祖李渊的儿子李元婴在当时的洪洲(今南昌)为官期间建造的。当时建造这个建筑的目的就是为了满足李元婴吃喝玩乐，欣赏歌舞。此人在离开洪洲到山东时被封为滕阁，故这个建筑就被命为滕王阁!它的高度为57.5米，由于历史上的原因(战争，火灾等)，我们现在所看到的是重建成于1989年重阳节的第29代滕王阁。在重建时主要参考了梁启超的儿子梁思成所绘制的八副<重建滕王阁计划草图>并参照了宋代的李明仲的<营造法式>。<滕王阁序>使其在历史的长河中没有被历史忘记，滕王阁又使<滕王阁序>在实在的载体中不断流传!
从远处看，滕王阁和它的压江、挹翠两亭像中文的“山”字，从空中俯瞰，滕王阁又像一只展翅欲飞的大鹏。有可能大家有点疑问，为什么我们江南三大名楼中湖南的岳阳楼，湖北的黄鹤楼都是楼，为什么我们这里被称为阁?答案就在我们的面前!大家请注意，在这个建筑下面有象征古城墙的两层，高度为12米。平地起高楼，我们这里的建筑是在这两层上建筑，所以就被称为阁了。这两层的台阶有89个，寓意着是在1989年重建。如果您有兴趣可以数数看。
(1楼门口)大家现在看到的“落霞与孤鹜齐飞，秋水共长天一色”是毛主席同志的亲笔手书，在重建滕王阁的时候送给我们江西。
(进入到1楼)现在我们到的位置就是这个建筑的第三层，也是我们滕王阁的序厅。请看我们的正前方，有一幅汉白玉浮雕<时来风送滕王阁>，是根据明朝的冯梦龙的<醒世恒言>中的名篇<马当神风送滕王阁>而创作的。它将不同的时间空间人物和故事集合在同一个画面上，体现出历史的厚重。它主要介绍我们滕王阁的来由。描写的是与杨炯、卢照邻、骆宾王号称“初唐四杰”的王勃，在前往当时的交趾(现在的越南)探望被贬职的父亲。在江西马当山处遇到大风，幸遇中原水神的帮助而抵达当时的洪洲，在不明白当时举办滕王阁高会主要目的(阎都督准备在此会上炫耀其女婿的文才)而在众人的半推半就中写下了生命的绝唱<腾王阁序>。王勃写完这个诗文离开洪洲在海上就遇难。王勃作序后，又有王仲舒作记，王绪作赋，历史上称为“三王文章”。从此，序以阁而闻名，阁以序而著称。
(进入到2楼)现在我们来到就是第4层“人杰厅”!这里主要描绘的是江西从先秦以来的历代名人，一共有80位。虽然他们的时代，服饰，地位，年纪，职业，性格和人品不同，但和谐的统一在同一画面。因为时间的原因我们就简单介绍其中的几位。第一位是我们左边的张天师，着道袍的这位。道教的始祖东汉的张道陵，虽然不是江西人，但是一生都和江西发生过极其密切关系。他创办“五斗米道”之前，做过九江令，创办“五斗米道”之后，又在龙虎山炼过丹。目前道家的影响在海外特别大，特别是日本韩国人对道家非常有兴趣!
第二位就是在张天师旁边的和尚——慧远和尚，晋武帝太元六年(381年)，慧远和尚奉道安之命，来到庐山宣扬佛法。而庐山的清幽安宁、云雾缭绕、曲径通峡的风景，在慧远心中也逐渐形成了一个奇幻的境界。时隔五年，慧远在庐山创建东林寺并结白莲社，自此一住三十余年，四处讲学，直至圆寂那一天，而庐山的的锦绣谷、石门涧等处处都有着他讲经说法的痕迹。他以白莲社为基地，毕生精力倡导净土宗，著有《法性论》等经书15卷50本，逐渐开佛教一派山门——净土宗。慧远首结莲社，使佛教取得了平民信仰的形式，开始在平民中传播，可以这样讲:慧远的最大贡献是他将复杂的佛家进行了改造，走入到了老百姓家中。
在我们现在看到的拐角出就是有名的“徐孺下陈蕃之榻”。徐孺，名稚，字孺子。江西丰城人。东汉时名士，满腹经纶而淡泊名利，时称“南州高士”。徐孺子小时候就很聪明。十五岁时来到今丰城、南昌、进贤三县交界的槠山，拜当时著名学者唐檀为师。和陈蕃关系非常好，平时不接待宾客的陈蕃，居然破例在太守府中为徐孺子特备一榻，徐来则张之，徐去则撤之，是为“徐孺下陈蕃之榻”所由来!后来人们就把有贵宾来安排住宿称为“下榻”。
不知道在看的过程中有没有看到有一位特别的人物在这里?(停顿下)有朋友已经指出来了，他就是严嵩，明朝人，字惟中，号介溪，江西分宜人，擅专国政达20年之久，为中国历史上著名的奸臣之一。为什么他的画象在这里?主要是我们这里不以人品而以其文品来评论!王廷相语曾经这样评论他的文才:“诗思冲邃闲远”，“文致明润宛洁”王世贞的评论他“孔雀虽有毒，不能掩文章”，表示不能因人废文，来肯定他“独为迥出”的文学功力。
(3楼)这里是明层，我们到的第五层。在中厅有壁画<临川梦>，在公元1599年，汤显祖首次在滕王阁排演了<牡丹亭>这出戏，开创了滕王阁上演戏曲的先河。滕王阁从此由一个歌舞戏台变成戏曲舞台。实现了功能的改变。在壁画中的色彩以灰蓝为基调，所有人物的眼睛全部是闭上的。烘托出梦境的感觉。中间的老者的头微微向旁边翘起，表示他不愿意同腐败的统治当局同流合污。表现自己对黑暗现实的抨击。他于1616年逝世，这恰好和英国大戏剧家莎士比亚是同一年去世。由于汤显祖在东方剧坛上的崇高地位，人们都称汤显祖是“中国的莎士比亚”。
由于他生活在明未清初，我国已经出现了资本主义的萌芽。资本主义的发展需要民主自由的环境，而当时的政府是不会答应这个要求的!所以汤老先生把自己的感情全部倾注在自己的作品中。《紫钗记》、《牡丹亭》、《邯郸记》、《南柯记》，因为这些戏的内容都和梦有关系，又被称为“临川四梦”。“从作品的名称中我们可以看到他对生活在现实中的不满!他的作品所提出的反封建礼教，宣扬个性解放，主张爱情自由的口号才更具有深刻的社会意义和思想意义，同时也在很大程度上加强了古代爱情剧的思想和社会深度。
(4楼，7山1水自由选择2-3个重点介绍)这里是地灵亭，我们到的第6层!主要是我们江西的闻名的7山1水。它也在某种程度上体现了我们江西的地貌特征“7山1水2分田”。7山1水从左至右分别是江西大庾岭梅关，龟峰，三清山，龙虎山，井冈山，庐山，鄱阳湖，石钟山。大庾岭梅关，梅关古道始通于秦汉，是古代沟通中原与岭南的五条交通要道之一。唐开元四年(公元716年)，为适应当时南北经济文化交流的需要。张九龄又奉诏另凿新道。前后用了二年的时间，开通了一条宽1丈，长30华里，两旁广植松梅的大道。现存的梅关古道约8公里，路面铺砌青石的鹅卵石。古道上，梅岭是粤赣交界的一个隘口，秦时在此设关，叫梅关。梅关是南岭上最重要的关隘之一，关上耸立的关楼，为北宋时筑。关楼拱门两面嵌石刻，北为“南粤雄关”，南为“岭南第一关”。第二次国内革命战争时期，陈毅曾在此领导了三年游击战争，写下了脍炙人口的诗篇《梅岭三章》。现在，当年陈毅活动过的地方，已被开辟为旅游景点。每年的新春前后，正是梅花初放的季节，两边的梅花盛开，争相夺目，也正是走访梅岭古道的最佳时节。虽然初冬的凉风栩栩，但在这条千年古道上，至今仍然有着行人的足迹。古道、西风、瘦马，仿佛时光倒流，梦回唐朝。现存的梅关古道共长约8公里，路面铺砌青石及鹅卵石。据说在过去，这里是连接广东和江西的唯一通道。如今这两边的村民要探亲访友，走的依然是这条古道。
龟峰，龟峰系国家级风景名胜区，国家3A级旅游区。曾是电视连续剧《西游记》的外景拍摄基地。它位于弋阳县城西南部，总面积136平方公里，自古以“三十六峰、八大景”著称，享有“江南盆景”之誉。龟峰侧看成峰，全看成景，无山不龟，无石不龟。故名!三清山，龙虎山，井冈山，庐山，鄱阳湖，石钟山等地就不一一介绍了!
三清山，古有“天下无双福地”、“江南第一仙峰”之称，三清山位于江西上饶东北部，主峰玉京峰海拔1816.9米，雄踞于怀玉山脉群峰之上。三清山因玉京、玉虚、玉华三座山峰高耸入云，宛如道教玉清、上清、太清三个最高境界而得名。在漫长的地质史中，三清山历经了多次地质构造运动尤以大规模断裂褶和岩浆活动的印支燕山运动为最成熟，从而形成了三清山今日的奇伟景观，具有很高的观赏和研究价值。三清山东险西奇、北秀南绝，兼具“泰山之雄伟、华山之峻峭、衡山之烟云、匡庐之飞瀑”的特点。
龙虎山位于江西省鹰潭市郊西南20公里处。是中国道教发祥地，国家重点风景名胜区。整个景区面积200多平方公里。源远流长的道教文化、独具特色的碧水丹山和千古未解的崖墓群构成了龙虎山风景旅游区自然景观和人文景观的“三绝”。《水浒》第一回“张天师祈禳瘟疫，洪太尉误走妖魔”就以“千峰竞秀、万壑争流。瀑布斜飞、藤萝倒挂”这样生动的文字描写这里的景色。龙虎山原名云锦山。东汉中叶，第一代天师张道陵在此肇基炼九天神丹，“丹成而龙虎见，山因以名”。张天师在龙虎山承袭六十三代，历经一千九百多年，是我国一姓嗣教最长的道派，素有“北孔(孔夫子)南张(张天师)”之称，“上清宫内伏魔殿的镇妖井，就是施耐庵笔下梁山一百零八将的出处。该地历时二千六百多年的春秋战国崖墓群，以其分布广、数量多、位置险、造型奇特、文物丰富面堪称中国这最，世界一绝。被誉为天然考古博物馆。
井冈山，位于江西省西南部，地处湘赣两省交界的罗霄山脉中段，东边江西泰和、遂川两县，南邻湖南炎陵县，西靠湖南茶陵县，北接江西永新县，是江西省西南的门户。解放后，于1950年在茨坪设立了井冈山特别区，1959年成立省辖井冈山管理局，1981年撤局设县，1984年经国务院批准撤县设市，20__年5月经国务院批准将原井冈山市与原宁冈县合并组建新的井冈山市。全市现辖21个乡镇和街道办事处，总人口14.8万余人，总面积为1308.58平方米。1927年10月，毛泽东、朱德、陈毅、彭德怀、滕代远等老一辈无产阶级革命家率领中国工农红军来到井冈山，创建中国第一个农村革命根据地，开辟了“以农村包围城市、武装夺取政权”的具有中国特色的革命道路，从此鲜为人知的井冈山被载入中国革命历史的光荣史册，被誉为“中国革命的摇篮”和“中华人民共和国的奠基石”。井冈山的斗争，从1927年10月到1930年2月为止，共计两年零四个月，时间虽不长，但为全国开辟了一条成功之路，尤其为后人留下宝贵的精神财富——井冈山精神;坚定信念，敢闯新路。其精髓是：一是坚定不移的理想信念;二是实事求是的思想路线;三是党管武装的基本原则;四是血肉相连的干群关系;五是艰苦奋斗的创业精神。
庐山(略)。
鄱阳湖古称彭泽，面积达3914平方公里，是我国的第一大淡水湖，它上承赣、抚、信、饶、修五江之水，下通长江，它南宽北窄，象一个巨大的葫芦系在长江的腰上，它每年流入长江的水超过了黄河、淮河和海河三河的总流量，是长江水流的调节器。鄱阳湖烟波浩渺、水草丰美，湖中有大量长江流域的珍贵鱼类漫游，每年还有许多珍贵的鸟类栖息在这里，使得鄱阳湖的风景显得更加宜人。不仅如此，鄱阳湖自古以来就是文人墨客会聚之地，许多诗人都在此留下了不朽的诗句，如王勃的“渔舟唱晚，响彭蠡之滨”，苏东坡的“山苍苍、水茫茫、大姑小姑江中央”，描绘的都是鄱阳湖的胜境。鄱阳湖的著名景点有石钟山、大孤山、南山、落星湖等等。
石钟山，中国千古奇音第一山，位于中国第一大江长江与中国第一大淡水湖鄱阳湖的交汇处;其南望匡庐，北镇长江，江湖水分两色，绘成一幅壮观奇妙的《泾渭图》。山上古建筑与碑、石刻相得益彰，互相辉映，集楼、台、亭、阁等于一体，是一座典型的江南园林。这里石块具有天然形成的皱、透、瘦、漏、丑等特点，千姿百态。而且石叩之有声，观之出奇。登临其上，看长江滔滔，观鄱湖浩淼，令人心旷神怡，留连忘返。正是由于这里奇峭的自然景观和悠久的人文景观，吸引了历代众多的文人学者前来探奇览胜，著文赋诗;其中最为著名的是宋代苏东坡的《石钟山记》而名扬天下。
(5楼)我们现在到了登高览胜的最佳处，第7层，中厅是苏老先生的手书《腾王阁序》，分为序文和诗文两部分!诗文既是对序文的延续，也是对序文的概括。公元663年九月初九重阳节，洪州阎都督在新落成的滕王阁大宴宾客，当地知名人士都应邀出席。王勃正好路过这里，也应邀参加。因为他才十四岁，所以被安排在不显眼的座位上。阎都督的女婿很会写文章，阎都督叫他预先写好一篇序文，以便当众炫耀一番。大家酒酣之际，阎都督站起来说：“今天洪州的文人雅士欢聚一堂，不可无文章记下这次盛会，各位都是当今名流，请写赋为序，使滕王阁与妙文同垂千古，话毕，侍候的人将纸笔放在众人面前。但是大家推来推去，没有一个人动笔。后来推到王勃面前，王勃竞将纸笔收下，低头沉思。过了一会儿，王勃卷起袖口，挥毫即书。阎都督见是一个少年动笔，不太高兴，走出大厅，凭栏眺望江景，并嘱咐侍从将王勃写的句子，随时抄给他看。才过一会儿，侍从抄来《滕王阁序》的开头囚句：“南昌故郡，洪都新府。星分翼轻，地接衡庐。”这四句的意思是：滕玉阁所在之处过去属南昌郡治，现在归你洪州府。它的上空有冀、鞍两垦，地面连接衡山、庐山两山。阎都督看了，认为这不过是老生常谈，谁都会写，一笑置之。其实，这十六个字把南昌的历史和地理的概况都交代清楚了，纵横交错，起笔不凡。接着，侍从又抄来了两句，“襟三江而带五湖，控蛮荆而引匝越。”阎都督看了有些吃惊。他想，这少年以三江(指荆江、湘江和浙江)为衣襟，又将五湖(指太湖、都阳湖、青草湖、丹阳湖、洞庭湖)为飘带，既控制着南方辽阔的楚地，又接引着东方肥美的越地，大有举足轻重。扭动乾坤之气。写出这样有气魄的句子，不是大胸襟、大手笔是不可能的。侍从接着抄上来几句，更使阎都督吃掠：“物华天宝，龙光射牛斗之墟;人杰地灵，徐孺下陈蕃之榻。”原来，王勃在这里用了两个典故。前一个典故是说，物有精华，天有珍宝，龙泉剑的光芒直射天上二十八星宿中的斗宿和牛宿之间。意思是洪州有奇宝。后—个典故是说，东汉时南昌人徐孺家贫而不愿当官，但与大守陈蕃是好朋友。陈蕃特地设一只榻，专供接待徐孺之用。意思是洪州有杰出的人才。
阎都督越看越有滋味，越看越钦佩，连声称赞“妙!妙!妙文难得!”王勃写完后，走到阎都督面前，谦逊的说：“出丑之作，望都督指教。”阎都督高兴他说：“你真是当今的奇才啊!”于是重新就座，净都督把王勃奉为上宾，并亲自陪坐。但是他的女婿占着自己的记忆力非常强，当众否定王勃的文章为原创。在阎都督女婿确定此序文没有诗文的情况下，王勃提笔写下了七言诗：滕王高阁临江渚，佩玉鸣鸾罢歌舞。画栋朝飞南浦云，珠暮卷西山雨。闲云潭影日悠悠，物换星移几度秋。阁中帝子今何在，槛外长江空自流。
(5楼西厅)我们现在看到的磨漆画《百蝶百花图》是为了纪念喜好艺术的李元婴。蝶画一词是近年来才有的，其方法是用蝴蝶的翅膀来作为整个图画的材料，其作品风格独具一格，自成一派，称之为艺术林宛的一支奇笆。其材取于自然，无一丝做作之笔，完全是手工剪切粘帖而成，任何一件作品都是举世无双的，具有很高的欣赏价值，现还成为人们收藏的珍品。在唐朝有“滕王蛱蝶江都马，一纸千金不当价。”由此看见其艺术价值。在画面下部是用蛋壳拼成的南昌市花金边瑞香!(离开房间到楼外)我们现在可以看到的是我们江西的母亲江-赣江(因发源于赣州的章贡二水而得名!)南昌的八一大桥，南昌大桥，全亚洲目前最高的喷泉广场-秋水广场及其所在的南昌红谷滩新城区。如果到了下午，咱们幸运的话，有可能还能够体会王勃在写《滕王阁序》时特殊的心情。
(6楼)我们大家现在来到了第8层!因为第9层是设备层，因此这是我们人所能到的最高处。大家会发现在这层中间有一个天井，在天井上方有一个华丽的旋藻，寓意者天圆地方。旋藻划分为24个曲线，代表着一年24个节气，一天24小时。在题匾上写的是“九重天”，指代我们的滕王阁的9层。在三面墙上描绘的是《大唐舞乐》，体现唐朝国富民强的景象。在这里有定时的歌舞表演，大家可以自由活动!我们在这里把时间统一下，现在是10：00，我们10：50在车上集合。在这个时间里面大家可以在这里参观歌舞，也可以到象征古城墙的底座空间里看看历代的滕王阁模型等等!(讲解结束)
南昌滕王阁导游词 篇4
今天我要为大家介绍的是江南三大名楼之首：滕王阁。
滕王阁位于沿江路，一共有九层，它高五十七米，是古代最高的建筑;它非常的雄伟、壮观。每当夕阳西下的时候，我们就会想起古代诗人王勃写的滕王阁序中的“落霞与孤鹜齐飞，秋水共长天一色”的美丽诗句。
滕王阁的历史悠久，早在几千年前就建好了，直到现在一共修建过二十九次，现在我们所看到的滕王阁是1962年修建成的。
滕王阁的表面颜色是红墙绿瓦，还有黄色、蓝色、白色的花纹，这些花纹像云朵似的，造型非常漂亮，线条非常柔和。走进滕王阁，你会看见许多又粗又圆的红柱子顶着滕王阁，这些红柱子真像一根根红蜡烛。滕王阁里还有许多雕刻的工艺品，随处可见，这些工艺品非常精致，完美无暇。
滕王阁的左边还有一个专门拍照的地方，这儿拍的可不是普通的照，拍的是古代宫里的人，我就拍过一张格格的照片呢!
滕王阁周围绿树环绕，鲜花朵朵，争奇斗艳;高大的绿树像草原的哨兵一样，挺立在这儿。
看到美丽的滕王阁，我仿佛就是一位为滕王阁题词的诗人，为滕王阁作诗。
每当夜幕降临的时候，滕王阁周围成了等的海洋，光的世界;而滕王阁呢，则成了一座五彩缤纷、异彩夺目的名楼。
作为一名南昌人，我为自己的城市感到骄傲，感到自豪!
南昌滕王阁导游词 篇5
"Sunset and lone flocks fly together, autumn water grows in the same colorin the sky." this is an eternal sentence that I will recite long ago. Thissummer vacation, I went back to my hometown Nanchang, and finally got a chanceto board the famous Tengwang Pavilion.
Tengwang pavilion was first built in Tang Dynasty. It has been destroyedand built for more than a thousand years. Up to now, it has been built 28 times.It is said that "prosperity of the country means prosperity of the building.".Tengwang pavilion has unique architectural features, with the momentum of"flying Pavilion, flowing elixir, facing no land". Therefore, it is famous allover the world and well known by the public, attracting many celebrities tovisit here and recite poems. Wang Bo's "preface to Tengwang Pavilion" brokethrough the sky and made a great success. It has won the favor of more than tengenerations and is regarded as a rare masterpiece through the ages. Han Yu, alitterateur, wrote: "the south of the Yangtze River is full of beauty, andTengwang Pavilion is the first, which is called magnificent and unique."Therefore, it has the reputation of "the first building in Jiangxi". Because itsheight and area are better than other lofts, it is listed as the first of thethree famous buildings in Jiangnan.
The basement of Tengwang Pavilion is divided into nine floors. Each floorhas more than ten eaves, which are tilted upward. It looks like a lone duckspreading its wings to fly. Entering the attic is like being in an art palacewith the theme of Tengwang Pavilion. In the main hall on the first floor, thereis a large-scale white jade relief "when the wind comes to send tengwangge",which shows Wang Bo's "preface to tengwangge", skillfully integrates the movinglegend of tengwangge with historical facts. The main hall on the second floor isa large-scale meticulous heavy color mural "portrait of outstanding people",which depicts 80 Jiangxi celebrities from the Qin Dynasty to the Ming Dynasty.This is as the acme of perfection, the fourth floor of the Jiangxi mountain andthe earth's soul. The fifth layer is the best place to show the history oftengwangge with pen and ink, in which the famous preface to tengwangge writtenby Wang Bo written by Su Dongpo. When you climb to the top floor, you can feelthe river flowing through the bottom of the building. Although you don't see themagnificent scenery of "sunset and lone ducks flying together, autumn water isthe same color in the sky", you can get a panoramic view of the whole NanchangCity: the straight and majestic Bayi Bridge, the wide and beautiful QiushuiSquare, and the high-rise and modern Honggutan Development Zone This is myhometown of outstanding people!
The magnificent Tengwang Pavilion is changing with each passing day. Youwill witness the take-off of Nanchang, the ancient city. I wish you alwaysbeautiful!
南昌滕王阁导游词 篇6
Dear guests
hello everyone
There are so many pavilions in the south of the Yangtze River. Why arethese three buildings called the three famous pavilions in the south of theYangtze River? What's their unique charm? Here, I want to make a statement thatthey are not named because of the exquisite architecture itself, nor because ofthe purpose of their construction. They are all famous for the same reason -each for an article. For example, the Yellow Crane Tower is due to Cui Hao'spoem the Yellow Crane Tower, which is not as good as Li Bai's. Yueyang Tower isdue to Fan Zhongyan's Yueyang Tower, which is "first worried about the world,then happy about the world". Tengwang Pavilion is no exception. It is famous forWang Bo's preface to Tengwang Pavilion.
Have you ever been to the other two of the three famous buildings inJiangnan? Ah, my friend, have you ever been to the Tengwang pavilion? Do youthink there is any difference between the Tengwang Pavilion and them? Oh, theTengwang Pavilion is bigger and more magnificent than the other two buildings.Yes, my friends, have you found out that the Yellow Crane Tower and YueyangTower are all about towers, while the only Tengwang Pavilion is about pavilions.At this point, I have to tell you the difference between this building and thepavilion. Let's take the three famous buildings as examples. The typicaldifference between this building and the pavilion is that the building risesfrom the ground, and the pavilion has a base, so the pavilion looks verymagnificent; And this pavilion is not like a building - you can build it if youhave money, and the identity of the person who built it is also very important.You must be the prince and grandson. Who is the prince and grandson who builtTengwang pavilion? I think everyone wants to know. Don't worry. Listen to Xiao xslowly.
Tengwang pavilion was built by Li Yuanying, son of Li Yuan, Emperor Gaozuof Tang Dynasty, when he was the governor of Hongzhou, which refers to Nanchangnow. Li Yuanying was born in the imperial family. Because of the influence ofcourt art, he loved painting, singing, dancing and butterflies very much. Sowhen he was transferred from Suzhou to Hongzhou as governor, he brought a groupof Kabuki from Suzhou to enjoy himself in the governor's house all day. Hesuggested: "governor, since you like listening to music and enjoying dancing somuch, why don't you build a house by the river Gao Ge, in this way, you can notonly enjoy the scenery, but also enjoy the music of singing and dancing. Whynot? "After listening to Li Yuanying, he thought this idea was very good, so headopted it. That's why Li Yuanying built a high Pavilion here. During the reignof Zhenguan, Li Yuanying was granted the title of King Teng. Of course, thepavilion he built was named after his title, so it was called TengwangPavilion.
It has been more than 1300 years since the construction of TengwangPavilion. In the past thousand years, he has been up and down for 29 times. Aswe all know, Li Yuanying is a romantic prince. The pavilion he built was notworth mentioning, but why can it be spread from now on? If you have heard such asentence: "Tengwang, if you know it, you should be relieved that the MillenniumPavilion is still there." It is not difficult to find out the relationshipbetween the king of Teng and the pavilion. The king of Teng has been handed downthrough the ages because of the pavilion. Maybe you will be puzzled again.What's the reason that the pavilion is spread from today? I still remember whatXiao x told you just now about Wang Bo's (preface to Tengwang Pavilion). Thispavilion is spread from today because of Wang Bo's preface to TengwangPavilion.
The Tengwang Pavilion we see now is the 29th reconstruction. It laid thefoundation in 1983, broke the ground in 1985, and opened to the outside world onOctober 8, 1989. The main Pavilion is 57 high. Five meters, there are ninefloors. Which nine floors? The two-layer base is built according to the form of"three bright and seven dark", so we can only see three floors on the outside,but there are actually seven floors on the inside, three bright and three dark,plus one equipment floor. There are two pavilions on both sides of the mainPavilion, "Yajiang" and "yicui". Maybe you don't think there is anything specialbetween the main Pavilion and the two pavilions. But if we overlook Tengwangpavilion from high altitude, it looks like a giant Kunpeng who is about to flyhigh. When you go back by plane, you can see if Xiao x is right and there is abig Kunpeng.
When you look up, you can see the plaque of Tengwang Pavilion inscribed bySu Dongpo, a calligrapher of Song Dynasty. If you look down, I don't know ifanyone can see the plaque of wild grass. Those who have studied wild grass canbe of great use now. You can guess. There are four characters. En, it's hard toguess. Xiao x will tell you that you should remember them well. These fourcharacters are "magnificent and unique". They are the cursive calligraphy ofhuaisu, a calligrapher in the Tang Dynasty, and are known as "the first cursivetablet in the world". These four characters highly summarize the unique featuresof tengwangge, which are taken from Han Yu's poem "Yu Shaoshi" Tengwang Pavilionis the first one in Jiangnan, which is known as "the first building ofXijiang".
南昌滕王阁导游词 篇7
Welcome to tengwangge scenic area. I'm glad to be your guide!
Tengwang Pavilion is located at the junction of Ganjiang River and FuheRiver, Yanjiang North Road, Nanchang city. In the fourth year of Yonghui in TangDynasty, Li Yuanying, the king of Teng, built it when he was an official inHongzhou (now Nanchang), so it is called Tengwang Pavilion. It is famous forWang Bo's preface to Tengwang Pavilion. Together with Yueyang Tower in Hunan andYellow Crane Tower in Hubei, they are known as the three famous towers inJiangnan.
What we are seeing now is the 29th generation tengwangge, which was rebuilton the Double Ninth Festival in 1989,!
Now we come to the gate. Look at the green tiles and red pillars ofTengwang Pavilion. They are magnificent. The roaring lions on both sides holdtheir heads up and shake their tails, lifelike. It fully shows the style of thefamous building.
As we ascended the stairs, we came to the gate of the first floor. What youcan see now is that "the sunset and the lone ducks are flying together, and theautumn water is the same color in the sky" written by Chairman Mao himself. Itwas given to us in Jiangxi when the Tengwang pavilion was rebuilt!
We went to the first floor, and now we're there
The location is the third floor of the building, and it is also the prefacehall of our Tengwang Pavilion. Right in front of us, there is a white marblerelief, which mainly introduces the origin of our Tengwang Pavilion!
Come up to the second floor with me, and now we come to the fourth floor"Renjie hall"! It mainly depicts the celebrities of Jiangxi since the pre Qinperiod! There are 80 people in total! Although their times, costumes, status,age, occupation, personality and personality are different, they areharmoniously unified in the same picture!
The third floor we went to is the Ming floor. It's the fifth floor! Thereis a mural "Linchuan dream" in the central hall. In 1599, Tang Xianzu rehearsedthe play "Peony Pavilion" for the first time in Tengwang Pavilion, creating aprecedent for Tengwang pavilion to perform opera. Tengwang pavilion has sincebecome an opera stage from a song and dance stage
The fourth floor is dilingting, the sixth floor we went to! It's mainly ourfamous seven mountains and one water in Jiangxi Province! From left to right,they are Meiguan, Guifeng, Sanqingshan, Longhushan, Jinggangshan, Lushan, PoyangLake and shizhongshan in Jiangxi Province!
We are now in the middle hall,
You can see the preface to Tengwang Pavilion, which makes Tengwang Pavilionfamous for thousands of years. Let's go to the West Hall and have a look. Thepainting of a hundred butterflies and flowers on the wall is in memory of LiYuanying, who likes art. It's a polished lacquer painting. The fifth floor isalso the best place for climbing and sightseeing. Let's go to the corridor withme to enjoy the beautiful scenery. Here, you can experience the artisticconception of "sunset and lone ducks flying together, autumn water growing inthe same color".
We are now on the sixth floor, which is also the highest floor where we go.There are singing and dancing performances. Now you can watch large-scaleartistic performances.
At the end of my introduction, please have a rest while enjoying theprogram. Thank you.
南昌滕王阁导游词 篇8
Dear members, we have come to Tengwang Pavilion, the most famous historicalscenic spot in Jiangxi Province. Together with Yueyang Tower in Hunan Provinceand Yellow Crane Tower in Hubei Province, Tengwang Pavilion is known as the"three famous buildings in the south of the Yangtze River". Now please follow mysteps to appreciate the first floor of Xijiang. Tengwang pavilion was built in653 A.D. when Li Yuanying, son of Li Yuan, Emperor Gaozu of Tang Dynasty, wasappointed as the governor of Hongzhou. It is the only royal building in thesouth. Because Teng King Li Yuanying was granted the title of Tengzhou inZhenguan years, he became Teng king. He built a loft in Tengzhou and named it"Tengwang Pavilion". Later, he transferred to Hongzhou in Jiangnan and built apowerful Pavilion, which is still called "Tengwang Pavilion". This is also knownas Tengwang Pavilion in Jiangxi. The Tengwang pavilion that we can see at aglance is three stories, but in fact it is nine stories. Why is this? In fact,it is an imitation of Song Dynasty architectural style, adopting thearchitectural style of "three bright and seven dark". The so-called "threebright and seven dark" means that from the outside, there are only three storeyswith cloisters. In fact, there are seven storeys inside, plus two basements, atotal of nine storeys. Zhenzhen is an ancient mansion. In 1942, the reason whyTengwang Pavilion today is a Song Dynasty style building was that Mr. LiangSicheng, a master of ancient architecture, together with his disciple MoZongjiang, drew eight "plans for rebuilding Tengwang Pavilion" according to theOld Song Dynasty paintings of "Tianlai Pavilion". In the 29th reconstruction,the architects used this as a basis. On the occasion of celebrating the 40thanniversary of the founding of the people's Republic of China, the 29threconstruction of Tengwang pavilion was successfully completed on October 8,1989 on the Double Ninth Festival, which not only adds luster to the ancientcity Nanchang, but also attracts a large number of Chinese and foreign touristswith its unique charm. Tengwang Pavilion is the pride of Nanchang, the symbol ofthe ancient civilization of Yuzhang, and the treasure of the cultural heritageof the Chinese nation.
Now we come to the gate, the green tiles and red pillars of Tengwangpavilion are magnificent. The roaring lions on both sides hold their heads upand shake their tails, lifelike. It fully shows the style of the famousbuilding. After stepping on the stone steps, we came to the gate on the firstfloor, and entered the pavilion from the main gate of dongbaoxia. A4.5-meter-long stainless steel arch couplet was hung on the red column in frontof the gate: "sunset and lone ducks fly together, autumn water grows in the samecolor.". This was written by Comrade Mao Zedong in his lifetime. This is one ofthe reasons why tengwangge, a famous poet in the early Tang Dynasty Wang Bo'spreface to tengwangge, is so popular. Step into the first floor. The first flooris the third floor of Tengwang Pavilion, which is the preface hall. What is ondisplay here is a white jade relief work "when the wind comes to send TengwangPavilion", which is created according to the story of the famous piece "when thewind comes to send Tengwang Pavilion" in Ming Dynasty Feng Menglong's XingshiHengyan. It records the origin of Tengwang Pavilion in the form of relief.
On the second floor, there is a dark layer. The theme of this layer'sfurnishings is "outstanding people". On the walls of the main hall, there is alarge acrylic mural "outstanding people", 2.55 meters high, It is more than 20meters long and vividly depicts Jiangxi celebrities from pre Qin to the end ofMing Dynasty. Although these people are different in times, costumes, status,age, occupation, quality and personality, they are harmoniously united in thesame picture.
Now we arrive at the third floor, which is a Ming floor surrounded bycorridors, and also an important level in the pavilion. Under the eaves, thereare four huge gold lettered plaques, all of which were designed by Cai Shiyingwhen he rebuilt Tengwang Pavilion. On both sides of the east hall are "luanqia"ritual vessels. On the north side of the hall are Jiangxi craft exhibits famousfor "natural treasures". The North ear hall is a teahouse, which is a place fortea and rest in the pavilion. There is a 2.8m × 5.5m acrylic mural "Linchuandream" on the screen wall of the central hall, which is based on the story ofTang Xianzu rehearsing "Peony Pavilion" in Tengwang Pavilion. In 1599, TangXianzu rehearsed "Peony Pavilion" in tengwangge for the first time, creating aprecedent for tengwangge to perform opera. From then on, tengwangge changed fromsinging and dancing stage to opera stage. Then come to the fourth floor. Thefourth floor is similar to the second floor, which is also a dark floor. Thislayer mainly reflects the theme of "Earth Spirit". On the walls of the mainhall, the wall is now in the "land map", which reflects the essence of Jiangxi'swell-known mountains and rivers.
On the fifth floor, we can see that on the central screen wall of thecentral hall, there is a stele of Wang Bo's preface to Tengwang Pavilion, whichis made of brass plate. It is nearly 10 square meters. It is written by SuDongpo. After being copied and enlarged, it is hand carved by craftsmen. On theeast wall of the West Hall, there is a polished lacquer painting "the paintingof a hundred butterflies and flowers". This theme is selected in memory of LiYuanying, the king of Teng, for his love and painting of butterflies. The fifthfloor is also the highest bright floor, the best place to climb the range rover.Here you can go to the corridor to experience the beautiful scenery of "sunsetand lone ducks flying together, autumn water growing in the sky".
Finally, on the sixth floor, which is actually the ninth floor, we can seethe West Hall, which is called "antique exhibition hall". It is a small stage.There are extremely precious copies of ancient musical instruments on the stage,implying the meaning of singing and dancing. On the three walls of the hall,there is a large-scale Tri Color mural of the Tang Dynasty, dance music of theTang Dynasty. At the same time, there are singing and dancing performances onthis floor. You can watch large-scale artistic performances here.
Well, members of the group, so far my explanation is over. You can seizethe time to visit the scenic spots you are interested in. In an hour, we willgather at the exit of the first floor to go to the next scenic spot. I hope youcan have a good memory in Tengwang Pavilion.
南昌滕王阁导游词 篇9
Hello everyone! Welcome to Nanchang. I'm wang zuorei, the tour guide. Next,I will show you the scenic spots of Tengwang Pavilion.
Do you know the origin of Tengwang pavilion? By the way, Tengwang Pavilionis the first floor of Xijiang River. Together with yellow crane tower andYueyang Tower, it is known as the three famous towers.
Tengwang pavilion was built by Li Yuanying, son of Li Yuan, Emperor Gaozuof Tang Dynasty, when he was the governor of Hongzhou. Hongzhou refers toNanchang now. During the reign of Zhenguan, Li Yuanying was granted the title ofTeng Wang. Of course, the loft he built was named after his title, so it wascalled Teng Wang Pavilion. It has been more than 1300 years since Tengwangpavilion was first built. In the past thousand years, it has been up to 29 timesof alternation. The foundation was laid in 1983, the ground was broken in 1985,and the main Pavilion of Chongyang Festival was completed on October 8, 1989.Now we can see the plaque of Tengwang Pavilion is the cursive calligraphy ofhuaisu, the calligrapher of Song Dynasty, which is known as "the first cursiveplaque in the world". These four words highly summarize the unique features ofTengwang Pavilion. It is taken from Han Yu's poem "when I was young, I heard thebeauty of Jiangnan, and Tengwang Pavilion is the first, which is calledmagnificent and unique". Therefore, Tengwang pavilion has the reputation of thefirst floor of Xijiang River .
Now we are going to visit the main Pavilion of Tengwang Pavilion. Pleasepay attention to your safety when you play. Don't stick your head out of therailing; don't climb. We will gather at tengwangge at 12:00 noon. Tengwangpavilion has 89 steps, which means: the 29 generation Tengwang pavilion wasrebuilt in 1989, and "89" refers to this time. The main Pavilion of TengwangPavilion is 57.5 meters high and has nine floors, but now you can see only threefloors! How can it become nine floors?
This is because the structure of Tengwang Pavilion is bright three darkseven, plus two base, is nine. On both sides of the main Pavilion, there are twopavilions named "Yajiang" and "yicui". If you look at Tengwang pavilion from ahigh altitude, you will find that it looks like a giant Kunpeng trying to spreadits wings. Well, I've finished my introduction. Please continue to watch if youhaven't finished. Now it's disbanded!